Namaste. I am Marjeet Gharti, a Nepal-based visual practitioner working at the intersection of fine art, graphic systems, and digital architecture.
My practice engages abstraction as a form of ritualized perception, not merely an aesthetic gesture, but an operative method of attunement to latent symbolic strata. Through this approach, the act of seeing becomes initiatory: a diagrammatic unfolding of veiled systems, archetypal residues, and forgotten codes embedded within the visual field. Abstraction, in this sense, serves as both interface and invocation, a means of negotiating with the ineffable through arcane configuration.
Original Works in Art, Graphics & Digital Space
Fossil Essentia Aesthetic Design Series
Typhonian Protocol -design from original artworks. Visual elements were extracted from cognitive residue left behind after exposure to entheogenic signals. Shapes mimic the oscillation of thought under layered influence: serpentine waveforms, parallel structures, and induced mirroring.
The work emerges as a haunted topology of forms: serpentine vectors, recursive glyphs, and a lattice of shadow syntax. Each mark is an echo of an utterance lost in aeons; each pattern, a cipher for interfacing with the abyssal unknown.
Fossil Essentia Aesthetic Design Series
Acid Alchemy 01 constitutes an initiatory visual node within the Fossil Essentia semiotic apparatus, an alchronic interface where synthetic gnosis bleeds through psycho-somatic thresholds. The central sigil-act, rendered in liminal figuration, performs an esoteric exchange: waveform utterance transmits through the oracular aperture of a desubjectified vessel, into an ocular sentience suspended in etheric recursion.
Fossil Essentia Aesthetic Design Series
Acid Alchemy 02 -design from original artworks. A relic from the neural depths: visual code unearthed from the subconscious core. Echoes ripple — spectral waveforms channeling ancient frequencies through synthetic flesh. Symbols dissolve into themselves, refracting myth through digital ether. An encoded ritual. A hallucination sculpted in vector and void -Psychedelic transmutation through cybernetic occultism.
“Void Crawler”, ink on paper, 24.1cm x 26.3cm, 2024
“Tunnels of Set” acrylics & ink on paper, 2024
“Typhonian Gateways”, ink on paper, 17cm x 26.3cm, 2024
Enter the Locus of Unspoken Forms
Abstract Painting
Veilglyphs operates as a visual palimpsest wherein semiotic fragments and gestural strata converge, invoking an occulted lexicon of form. Through the interplay of spectral contours and veiled geometries, the work gestures toward an archaeology of the ineffable—suggesting a liminal script suspended between signal and obscurity.
Graphic Design
The Maw of Unmaking –design from original drawing, presents a symbolic rupture, an aperture of entropy rendered through dense, brutalist geometry and visceral linework. The design conjures a mythic void, where form disintegrates into raw potential, echoing themes of cosmic dissolution and the collapse of structured reality into primordial chaos.
Claim Artifacts from the Forgotten